Tuesday, 09 December 2014 07:17
on December 8th, 2014 at 9:03 PM
I know, I know. I’m doing dialog posts with astonishing slowness even for me, but I’ll get to the end of them one of these weeks… or months… or years.
This particular post in the series began with a recent blog post from Anne R. Allen (a great blog, by the way):
Specifically, it began with Anne Allen’s bogus point #3: “‘”Said’ is boring. Use more energetic tags like ‘exclaimed’, ‘growled’, and ‘ejaculated.'”
To which Anne replied:
Tuesday, 17 June 2014 18:53
on June 9th, 2014 at 9:34 PM
It’s been over a year since I wrote Part 4 of this series. You can see and read parts 1-4 simply by going to clicking here to go to Rick's "Dialog" category at his blog.
In this installment, I want to offer some tips on the basics of writing good dialog. Some writers struggle with dialog, while to others it comes naturally.
Why is dialog important in stories? Done well, it can be one of the best way to “show, don’t tell” because it can show the personalities of the characters, make them individuals, and help the reader to get to know them. Now, for that to happen, dialog has to step beyond the trivial and not be mundane. It’s okay for characters to greet each other, but the lines should consist of more than “Hi, Steve” or “What’s up, Martin?”